Many of my paintings are actually derived from live performances in front of several hundred people, while others might be more dimensional, tending toward a melding of 2d/3d design and the maximization of negative space.

I tend to gravitate toward free-form abstractions always experimenting on one form or another.

Of course, most of my paintings are executed from the intimacy of my studio and have a wide breadth of subject matter and palettes.

I continue to work on a new series of "seismographic" drawings, paintings and sculptures, which are trance-induced works borne from responding to tribal music and reflect a seismographic recording and transmogrification of percussion sheet music and tablature.